Also, via Danwei, via Ai Wei Wei's blog - the artist protests through the double-movement of (skin) exposure and (sunscreen) omission. Delicious. And another pleasant view below. Is he echoing the fullness of maternity in an act of ultimate, subversive empathy? Can the politburo be destroyed through the inversion of the signification of Ai Wei Wei's belly, jiggling nakedly into the eye of the patriach? Evan Osnos' profile of some of his US photos from a few months ago here. (Swoon.)
Saturday, June 13, 2009
Also, Politically Charged Sunburn
Also, via Danwei, via Ai Wei Wei's blog - the artist protests through the double-movement of (skin) exposure and (sunscreen) omission. Delicious. And another pleasant view below. Is he echoing the fullness of maternity in an act of ultimate, subversive empathy? Can the politburo be destroyed through the inversion of the signification of Ai Wei Wei's belly, jiggling nakedly into the eye of the patriach? Evan Osnos' profile of some of his US photos from a few months ago here. (Swoon.)
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Monday, June 8, 2009
Branding Differences: Buick (2个男人之间的心跳)
I don't know much about cars, but as its been crashing, GM has apparently announced that the Buick will be the core part of its new American sales strategy.
Again, I don't know much about cars, but....what? As car blogger Matt Stone (linked to above) comments: "A now-retired GM exec once said that Buick was going to become GM's Lexus. Has that happened? Don't think so."
A popular video below - "HEARTBEATS BETWEEN TWO MEN/(2个男人之间的心跳" - is a Buick ad that begins with two men egging one another on to eat spicy noodles. (?!)Another article on the curious synchretism can be found here at Autotropolis.com
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Gaokao Exodus in Wuhan
Great picture in the English People's Daily today:

CAPTION: "University aspirants walk out of the No 6 High School in Wuhan, Hubei province, after finishing the morning session of their college entrance exam yesterday."
CAPTION: "University aspirants walk out of the No 6 High School in Wuhan, Hubei province, after finishing the morning session of their college entrance exam yesterday."
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Saturday, June 6, 2009
(All About Women/女人不坏): Tsui Hark + Sex And the City = ?
Now Tsui Hark comes from (or more adamant defenders would say defines!) that slapstick tradition of the Hong Kong action film where you often find the juicy combination of femme fatales, eunuchs, cross-dressers and other such gender-bending. [See Stephen Teo's treatment in the Film Cultures Reader, here.]
So, I was a bit shocked when the film was marketed as an analogue to Sex and the City. The Sex and the City film release also released a deluge of somewhat stale commentary on how it fits into the general discourses on gender and feminism. [EG In the Guardian, Alice Wignall asked "Can a Feminist Really Love Sex and the City?" (I more or less fall on the side of finding it an "orgy of consumerism and triviality.")]
So whither the women in this film, particularly given that Peking Opera Blues and The Swordsman II have been read so positively by feminist film scholarship?
In either case, the film ultimately loses any possible emotional content to the explosion of camp - one ultimately senses from viewing (as you do with Wong Kar-Wai) that the script was rewritten everyday....in part because (as with Wong Kar-Wai), it was. Regardless, it is really, really fun to watch, with explosions of color, costume and stylized artifice giving the flat caricatures that run through the film a miasma of character. (Or, again, maybe just camp.) Based on just my limited knowledge, one could place it in an aesthetic category with with Tsai Ming Liang's A Wayward Cloud, in turn situated in earlier films like Tati's Playtime, Demy's Umbrellas of Cherbourg, Schraeder's Mishima. But where the gender politics goes is a difficult question, and (as with Wong Kar Wai), the ultimate destination may be the great revolving nebulae of Tsui Hark's ego.
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Thursday, June 4, 2009
Where are the 21 Most Wanted Students from Tiananmen Now?
As child of the diaspora here, I primarily remember the set of events as a series of panicked faxes. The onset of the fax machine had been crucial in helping organize the protests, and getting a record of what had happened out of the country and out of sight of censors. (By one account, guards had been posted by all publicly available fax machines the morning of June 5.) I've yet to see [though I certainly haven't dug deeply] a good account that captures this dynamic though - there is not so much action, of course, in the clicking, whirring noises of a fax transmission. But to that nerve-wracking noise, many abroad received their handwritten notices sometime twenty years ago, far before the news stories broke, and anti-climactically felt the tide turn.
Shepard Fairey's rendition of a picture by Ed Nachtrieb above.
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